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Maxfield Parrish Prints

Biography

Maxfield Parrish prints have inspired millions because of the artist's unique way of using color. These unique and magical images will always have a permanent place in art history.

Early Years
Maxfield ParrishMaxfield Parrish was born July 25, 1870 in Philadelphia, to Stephen and Elizabeth Parrish. His given name was Frederick but he would later adopt the family name Maxfield as a middle, and then professional name.

His father was an acclaimed etcher and landscape painter who had a big influence on him as a young child. When his father began to notice his son's budding talent he took him under his wing and taught him all that he knew. In 1884 to 1886 his parents took him through Europe to see the great museums. While he was there he absorbed everything around him from the architecture and music to the machinery and nature.

Studies
Parrish studied architecture at Haverford College, but after his junior year he changed directions. A year later he enrolled at the Pennsylvania Academy of the Fine Arts.

Maxfield Parrish Prints: EcstasyIn 1894 he studied briefly under Howard Pyle at the Drexel Institute of Art, Science and Industry where he met a painting instructor named Lydia Austin. They fell in love and by the years end they were married. They went on to have four children; Dillwyn, Max Jr., Stephen and Jean.

Early Works
Maxfield Parrish prints didn't take long to get noticed. His first major commission was to decorate the home of the Mask and Wig Club for the University of Pennsylvania. His 'Old King Cole' mural along with others got the attention of many and before long Parrish was beginning to get recognition from his peers. This led to his first cover illustration for the magazine Harper's Bazaar in 1895. Many magazine illustrations would follow over the next two decades, including many for Century, Scribner's, Life and many more.

Maxfield Parrish Prints: MorningA year after they were married he took some time alone to travel to Europe to study the masters in Paris, and be among the many others artists who were there to do the same. Parrish was drawn to such contemporary English artists like the Pre-Raphaelites, Rossetti, and Lord Leighton. Their influence helped to shape his artistic vision and had an impact on his blend of naturalism, fantasy and romanticism.

He credited a painting he did in 1896 called 'The Sandman' as being the most important work of art in his early career. This Maxfield Parrish print was presented in the 1897 annual exhibition of the Society of American Artist.

He was commissioned by Way and Williams of Chicago to do some illustrations for children's books in 1897. After that he then contributed to L. Frank Baum's first work; Mother Goose In Prose. It seemed at that time every author wanted a Parrish illustration. The name Maxfield Parrish was one people recognized and respected.

Maxfield Parrish Prints: Lute PlayersLater Years
In 1898 he decided to design his dream home he would call 'The Oaks.' It was located in Plainfield on a hill overlooking the Connecticut River Valley. The house brought about the attention of many journalists and suddenly he became the subject of numerous magazine articles. This brought about a new interest in his work.

He worked on illustrations for Edith Wharton's Italian Villas and Their Gardens (1904), and Nathaniel Hawthorne's A Wonderbook of Tanglewood Tales (1910). Some of his illustrations were making the covers of such magazines as Collier's, Ladies Home Journal, Hearst and Century. Maxfield Parrish prints, calendars, greeting cards, and many other items were in high demand.

He spent the last thirty years of his life painting landscapes. Maxfield Parrish was commissioned in 1936 to provide illustrations for Brown and Bigelow, a calendar and greeting card company. In 1961, at ninety-one, he stopped painting due to his declining health. He died at 'The Oaks' in 1966 at the age of ninety-five. Even though he is gone his artwork will live on and on. Maxfield Parrish will never be forgotten.

Maxfield Parrish prints can be seen in many museums including:
Metropolitan Museum of New York
Philadelphia Museums
M. H. De Young Museum of San Francisco
Morse Museum of American Art in Florida
Detroit Art Institute

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